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- DESCRIPTION
- SPECIFICATIONS
N-HH1 Handheld Transmitter
2024 Vocal Microphone
N-Series is best used with DPA’s high-end vocal microphone capsules. There is a range of capsules available depending on the needs of your vocalists.
- d:facto™ 4018V Softboost Vocal Microphone
- d:facto™ 4018VL Linear Vocal Microphone
- 2028 Vocal Handheld Microphone
- 2024 Vocal Microphone (new)
Features:
- Wide frequency range: from 470 MHz to 870 MHz
- Slim, light design sits balanced in the hand
- No loose parts
- 8+ hours of operation with standard AA batteries
- DPA Rechargeable Battery Pack (optional)
- Easy battery loading
- Industry standard SL1 thread supports
High dynamic range
To get the highest possible dynamic range the N-Series uses stacked converter technology and optimized circuitry around the input stage and A/D conversion. This is how the system offers the best audio performance.
Having a higher dynamic range means that you do not have to dial in a gain or amplification on the transmitter. Therefore, there is no need to set the gain on the transmitter. In addition, as the system is digital, optimum RF signal is obtained without having to secure maximum modulation. The original signal is preserved throughout the system.
It is possible to adjust the level coming out of the receiver per channel, but this is done in the digital domain, i.e., it is an offset of the incoming signal and thus referred to as digital TRIM.
Audio levels and headroom
The bodypack transmitters have plenty of headroom, so there is no need to adjust input gain or the like. For this reason, you cannot adjust the audio levels on the transmitters.
It is, however, possible to change the level via an offset of the signal to balance sources with each other, but this is all done in the digital domain and thus referred to as digital TRIM via a knob on the receiver.
The analog outputs (if installed) allow users to adjust the analog reference to suit the system that the signal is being fed into. This is all done via the Receiver Menu.
Frequency coverage
A (Region, EU) 470 - 870 MHz
B (Region, US) 470 - 608, 614 - 616, 653 - 663 MHz
C (Region, Japan)
D (Region, China) 470 - 787 MHz
Transmission power
Bodypacks can broadcast with a range of effects:
1 mW, 5 mW, 10 mW, 20 mW, 50 mW
*SPECIFICATIONS*
Directional pattern: Supercardioid
Principle of operation: Pressure gradient
Cartridge type: Pre-polarized condenser
Frequency response: 20 Hz - 20 kHz
Effective frequency range +/-2 dB, at 12 cm (4.7 in): 100 Hz - 16 kHz. Permanent 1st order low-cut filter at 40 Hz, Selectable 2. order low-cut at 80 Hz
Sensitivity, nominal, +/-3 dB at 1 kHz: 5 mV/Pa; -46 dB re. 1 V/Pa
Equivalent noise level, A-weighted: Typ. 22 dB(A) re. 20 uPa (max. 23 dB(A))
Distortion, THD < 1%: 144 dB SPL RMS, 147 dB SPL peak
Dynamic range: Typ. 125 dB
Max. SPL, THD 10%: 149 dB SPL peak
RF Frequency Range: 470 - 870 MHz (Varies by region)
RF Tuning Steps: 25 kHz
Battery Runtime at 10 mW: >7 hours
Audio Input Impedance: 10 k?
RF Sensitivity: -96 dBm at 10^-5 BER
Audio Polarity: Positively increasing sound pressure produces positive going voltage on relevant audio outputs
Radio Frequency Power: 1 mW, 5 mW, 10 mW, 20 mW, 50 mW (follows region)
Working Range: 100 m (330 ft) Range depends on the RF enviroment, i.e. absorption, reflection and interference
Audio Dynamic Range (system) analog: 126 dB
Audio Dynamic Range (system) Digital: 126 dB
Audio Frequency Response: 20 - 20 kHz (+/-1 dB)
Latency: <2.9 ms
Audio Input Interface Type: SL1
Radio Frequency Bandwidth: 470 - 870 MHz (follows region)
Housing Type: Zink alloy
Operating Temperature: -10degC to 50degC (14degF to 122degF)
Storage Temperature: -20degC to 50degC (4degF to 122degF) Without batteries installed
Digital Audio Trim: -20 dB to +40 dB on the receiver side, selectable in increments of 1 dB
Occupied Bandwidth: < 200 kHz
Battery Type: LR6 AA batteries
Weight: 373 g (13.2 oz)
Microphone diameter: 48 mm (1.9 in)
Capsule diameter: 19 mm (0.75 in)
Microphone length: 266 mm (10.5 in)
Polarity: +V at output for positive sound pressure
Colors: Matte black

